Kai Fusayoshi
1972-2023
After a fire destroyed his life’s work, Japanese photographer Kai Fusayoshi was ready to give up. But a body of work remains, reflecting on happier times and his incredible career.
“In January 2015, a tragic fire burnt through the Honyarado, a cafe I owned and managed for 43 years, along with my life’s work – my photographic archive. The fire destroyed two million negatives, thousands of prints, and a huge collection of photobooks, along with the treasured cafe, which I established in 1972 with a group of writers, musicians, and activists from the anti-war movement.
In 1968, I moved to Kyoto to study Political Science at Doshisha University, but the fees were incredibly expensive, and I was disappointed with the mass-produced education style so I dropped out before finishing my first year. After that, I took up various part-time jobs, squatting in disused student dorms, and attending many student protests, which were erupting across the country at the time before joining Beheiren, an anti-war movement against Japan’s involvement in the Vietnam War. I would go on to spend half a year working as a carpenter in Iwakuni, a city 400km south of Kyoto, where the US stationed their marines helping to build temporary housing for military deserters and working in a cafe called ‘Hobbit’, which became a famous hub for the anti-war movement.
I was a terrible carpenter, but I felt inspired by the counter-cultural ethos of the cafe. Back in Kyoto, I got together with a group of friends from the anti-war movement — poets, musicians, teachers, and artists from all over Japan — and we decided to set up our own in Kyoto. Honyarado opened in 1971, in a two-story wooden house near Doshisha University. Serving cheap meals and strong coffee, it quickly became a hangout for local students, artists, and activists. We hosted poetry readings and live music events, by incredible Japanese artists like jazz singer Maki Asakawa, and popular poet Shuntaro Tanigawa. We also welcomed international guests who stopped by during their visits to Japan, including the Beat Generation’s Allen Ginsberg, and American writer Gary Snyder.
By then, the anti-war movement of the 1960s was waning, and public opinion had turned against us, along with a growing tendency for dissident groups to be labeled ‘extremist’. That was when I started to pick up photography again. From 1974, I extensively documented the Demachi area, photographing children playing on the riverbank, cats lounging across cobbled streets, and, of course, customers who visited our cafe.
I loved documenting Kyoto, but I was criticised for wasting my time. In 1977, I decided to commit myself to the cafe and announced a departure from photography. To commemorate the shift, I published my first photobook, Kyoto Demachi, and held a series of outdoor exhibitions where I pasted prints directly onto the city’s stone walls. If people could find themselves in the images, they were free to take them home. I must have exhibited around 15,000 photographs in total. Shortly afterward, my work was picked up by Kyoto’s largest daily newspaper. I didn’t end up taking a break after all, and since then, I’ve published over 40 photobooks.
In 1985, I opened a new bar called Hachimonjiya, where I still serve drinks every day. I continued to manage Honyarado alongside it, eventually transforming the second floor into a library for my archive. Then, 43 years after its opening, the fire destroyed it all.
It is only when I look back now, five years later, that I realise how depressed I was. Four months after the fire, I fell off my bike and cut my leg. I wasn’t sleeping much, I was drinking every day, and the wound eventually developed a bacterial infection. The doctors said I was facing amputation, or in the worst case, death. I couldn’t believe I survived considering how much I’d been drinking. The photographs I have left represent just a portion of my work, but they remind me of a happy time.”


























